Entrada discreta, 2

É reconfortante ver que mesmo os 'pros' mais respeitados têm as dificuldades que nós todos temos:

editing is at least as important as shooting....how you choose your photographs, which ones will rise to the top, is as important as anything you will do as a photographer....

E continua. Esta é a parte mais difícil, conseguir mandar às urtigas algumas fotos que aprendemos a amar:

when i look, as often as i do, at the work of emerging photographers, and many established photographers as well, i usually see that i can "fix' their portfolio or story in about ten minutes with a better edit or sequencing...it might "hurt" for a few minutes when i start throwing out pictures that were "hard to get", but when the dust settles, and a few minutes go by, and the photographer no longer "misses" the ones in the "out stack" and sees that "less is more", then we start to move in the right direction...and believe me, i always tell myself the same thing that i am telling you....

E sobre a colaboração:

getting everyone's opinion does not work...this will really confuse you....just get the critique of one or two good people you totally respect and trust....and, of course, ultimately respect your own opinion....

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